Review: The DC Comics Guide to Inking Comics

Hello, friends.  It’s Max West, creator of this blog, comic, and all-around cool guy.  I have another book review to share today and it’s a very important book.  This one was instrumental in helping me develop my skills and make Sunnyville Stories a reality.  The book in question?  The DC Comics Guide to Inking Comics by Klaus Janson.

The DC Comics Guide to Inking Comics (Watson-Guptill) 2003) is one of five entries in the DC Comics guide series.  I made mention of this in my making comics tutorials.  At the time of this writing, I only own one other book in the series (Coloring/Lettering).

So how exactly did this book help me and what can it do for you?   Continue reading

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Review: Making Comics

Today, I have another book review to share with you.  There’s a lot of texts out there about making comics.  Most of them are basic and cover drawing, character design, differences in drawing males and females, basic gags and story writing, etc.  The keyword here is “basic”.  Many of these books do indeed cover just that – the basics.  Someone interested in creating their own work may not have much to go on other than these basics.  So what books are available for you if you want to learn to make comics?

 

Not just any book will do.  It’s best to have a qualified professional behind the book to instruct you.  Look no further than the incredible Scott McCloud.  If you are even somewhat familiar with comics, he needs no introduction.  While he is noted for the creation of the manga-influenced superhero series Zot!, McCloud is far more renowned for his groundbreaking books on comics, Understanding Comics and its sequel Reinventing Comics.  So you know that McCloud definitely knows what he is talking about.  So how does this book stack up?

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Beginning of Sunnyville Part 4

Greetings from the Small Press Expo!  I’ll have a full write-up on that event next time.  Now for the final part of how Sunnyville Stories came to be.

Sunnyville was inspired by Maple Town and by my personal experiences moving down south in the 1990s.  Even though I came up with the idea in 2005, I had to shelf it for various reasons.  It wouldn’t be until four years later that I would resurrect my concept.  I spent much of that period working to improve my draftsmanship.  I actually purchased some lessons from Guy Gilchrist, who had drawn the comic strip “Nancy”, and I learned about concepts like action lines and the movement of hips in conjunction with shoulders.  That improved my skills some more…but it still wasn’t enough.  I needed more advanced training.  So I decided to start checking out art schools that offered continuing education.  In the end, I chose the School of Visual Arts because they specialized in teaching comics.

Ironically, the comics classes weren’t my first choice.  I originally enrolled in two courses, watercolor painting and fantasy illustration – the latter being taught by illustrator Stanley Martucci.  Those classes were cancelled at the last minute without me being told beforehand.  I actually showed up to class that night and wondered why nobody was there!  In the end, I ended up taking a class that had been an alternate choice for me – cartooning basics taught by Tom Motley.  Ironically, this may have been the best thing that ever happened to me.  That class was where I really started to come alive.

I learned many of the basic principles of making comics as well as how to ink and how to design characters.  The final project for the class was to be a minicomic.  We would make our own 5-8 page minicomic with a short story in it.  At first, I was lost for an idea…then I remembered, “Hey, wait a minute.  Whatever happened to that series I thought up sometime ago…what was it?  Sunnyville?”  I took the two main characters from there, Rusty and Sam.  Sam was transformed from a cat into a rabbit.  I immediately dove into that short minicomic with much enthusiasm.

Rusty and Sam Page 1

Here is the first page of that minicomic.  I just decided to do a cute little story.  Here, Rusty seems to be quite worried.   Continue reading

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Beginning of Sunnyville Part 3

For those of you who missed the first and second installment of this series, go back and read them now.  I’ll wait.  When you’re done, proceed onward.

As I explained last time, I had created this world.  It was a big world with this village where everyone dressed traditionally and time seemingly stood still.  It was remote, being surrounded by unspoiled wilderness in all directions.  This hamlet needed a name and I struggled with it for awhile.  It had to have a name that defined its demeanor, something that had to establish immediately to the viewer.  Since this idea was inspired by Maple Town, I tried saying various names over that conveyed a sense of tranquility.  Some of the names I came up with in this design phase were Rose Town, Rosy Town, Sun Town, Sunton, Paxville, and Sunnytown.

In the end, I came up with the name “Sunnyville” after trying out a few combinations.  My instincts told me that this would work and it had a nice ring to it.  From there on, I developed the concept some more.  As I said before, I didn’t know what I was going to do with this world.  I could have just concentrated on the day-to-day lives of the townspeople, but that alone would have been boring.  Sunnyville Stories would not have worked in that case.  You have to understand that comics is a very personal medium.  For a comic to work, you have to be able to connect with the reader.  If you are unable to connect with a reader, then your comic won’t work.

Early Rusty color test

Early version of Rusty

As I said in the last entry, I remembered how the first episode of Maple Town had Patty Rabbit and her family arriving in their new hometown by train.  That really got my brain working.  I recalled some of my own personal experiences having moved to a radically different location.  So I invented a character for the readers to view this traditional looking village with – the character of Rusty.  Rusty was there from the start.  I conceived him as a teenager who had to leave behind everything he knew and move to this very strange looking place.  We’ve all heard stories about characters moving…but I still felt something was not quite right.

Rusty was a teenager.  He was unsure of himself and he needed someone to relate to and confide in.  That’s how I created Samantha or “Sam” for short.

I should emphasize right now that the Samantha I created back in 2005 was quite different from the one you know now in Sunnyville Stories.  In fact, she was not a cat – Samantha was a rabbit! Unfortunately, at the time of this writing, I have not been able to locate my old sketchbooks from that time period so I can’t share with you the concept art I did for Samantha.   Continue reading

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Beginning of Sunnyville Part 2

Getting back to how Sunnyville Stories came to be, the years went by and I drew on an on/off basis through high school and college.  It wasn’t until my final year of college in 2002 that I started drawing on a regular basis.  I was not a natural artist – I was NOT a childhood prodigy and wasn’t from an artistic family.  Knowing that many people were so much better than me and had the advantage of going to art school, this made me more determined to improve my drafting skills and show everyone how good I was.

It was sometime in 2003 that I came up with an idea for a comics series called “Animal Pens”.  I’d later retroactively title it “Bleu’s Forest”.  In fact, the old page is still up – I’ve since abandoned it.  The story was influenced in part by a 1980s cartoon series from Canada I used to watch called the Raccoons.  The comic involved the adventures of a young red fox named Bleu who lived with his childhood friends, a married couple named Warren and Lori.  They had various adventures in a big forest filled with magic and mythical creatures.

Bleu's Forest Sample Cartoon

Bleu’s Forest cartoon

You can see here an early example of my work.  While my writing was solid and the humor was definitely there (I had practiced writing jokes and do have a creative writing degree), my art was abysmal.  Undaunted by the poor drawing and the poor reception I got, I kept at it.   Continue reading

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Beginning of Sunnyville Part 1

Today, I want to talk about how my comics work came to be.  This is quite a story I have so I’m breaking it up into several parts.

At the time of this writing, I’ve finished the fifth episode of Sunnyville Stories.  The pages are all inked and I’m waiting on the cover from Steven Martin.  I’ve done five whole comics issues of Sunnyville Stories which is a fair accomplishment.  I’ve been working on this story for almost three whole years now and it’s been quite a ride.  So much came together and so much more had to happen for this comic of mine to be a reality.  How exactly did Sunnyville Stories come together?  Perhaps it’s best if I start from the beginning.

I talked a bit about myself in a past post, but I’d like to delve some more into my past and how it shaped me.  I was raised in a working class neighborhood of Queens county, New York called Ridgewood.

Karl Ehmer Pig of Ridgewood

We lived close to some industrial areas which consisted of some factories with delivery trucks running daily and Karl Ehmer’s, a chain of butchers and food stores based in Ridgewood.  The photo you see is of Karl Ehmer’s mascot.  Sadly, at the time of this writing, the main store and factory (which I had lived near) has shut down though the chain remains in business.   Continue reading

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Q&A Video 1

I’ve made five short videos as part of a series where I talk about my work.

Yes, I’ve already talked about my work in detail here on this blog, but the videos are a more condensed form.  They’re meant to get people’s attention on YouTube.   Continue reading

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Fifteen Motivational Quotes

Making comics is NOT  easy.  I know because I’ve spent many hours writing, pencilling, inking, and sometimes having to start over.  Having to work on my drafting skills can be a challenge too.

Make no mistake.  Making comics like my series Sunnyville Stories can be a real challenge.  So how do I keep at it?  Well, one thing I like to do is go over quotes from those who succeeded.  In fact, allow me to share with you fifteen motivational quotes!

“Have no fear of perfection.  You will never reach it.” – Salvador Dali

“You can’t expect to hit the jackpot if you don’t put a few nickels in the machine.” – Flip Wilson

Continue reading

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Nine Tools Every Cartoonist Needs

I know there’s a lot of you out there (and reading this blog) probably want to make comics too – but don’t know where to start.  You might not even know what you’ll need to start making comics.  Well, I have a list made up to get you started.  And now loyal readers, I will tell you the nine tools every cartoonist needs.

1. Your Hands – This is probably the most important tool of all.  Every cartoonist needs this.  Train your hand and there is nothing you can’t draw.  Make sure you take care of your hands too.  Take frequent breaks when you’re drawing.

2. Your Mind – This is just as important as your hands.  Train your mind.  Learn all that you can and practice.  Training your hand to work with your mind is very important.

Pencils

3. Pencils – This should be a no-brainer.  Pencils are amongst the tools every cartoonist needs.  You have your standard wooden pencils and mechanical pencils.  But be sure to experiment with other pencils.  There are graphite sticks, which are basically pencils without the wood.  There’s also flat sketching pencils or carpenter’s pencils (second from the right).  While some of these may not be necessarily suitable for drawing comics, try them out anyway in your drawing and sketching out ideas.  This can influence the work you do in comics. Continue reading

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Book Review: Guerrilla Marketing On the Internet

Hello!  It’s Max West here from Pittsburgh, Pennsylvania.  I’m attending Anthrocon 2011 as this goes live.  While I’m out there networking and promoting myself, I thought I’d share with you a neat book that I found by accident.

As you all know, I create comics.  But I also want to sell them as well.  How do I go about doing that?  That involves the process of marketing.  By marketing, you are pitching your comics and/or graphic novels to the general public to get them to buy them.  Without marketing, you will have absolutely no sales whatsoever.

You can quote me on this next statement.  You can have the biggest, baddest comic on the block…but if nobody knows about your work, you can’t sell them any copies.

I wanted to learn all about marketing your comics as well as marketing in general to get my name out there and promote my work.  After checking out many books, I found an interesting title.  The book in question is titled Guerrilla Marketing on the Internet: The Definitive Guide from the Father of Guerrilla Marketing by Jay Conrad Levinson, Mitch Meyerson, and Mary Eule Scarborough.  Published in 2008 from Entrepreneur Press, this 236 page paperback book explains the concepts and techniques of “guerrilla marketing”.

Gorilla marketingNo, Rusty, I said “guerrilla” not “gorilla”.  So what exactly does that mean?

Continue reading

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